Appreciation
Astonishingly enough, connoisseurs are more or less agreed on the subject of what constitutes a good bow, apart from the wood and the price. It is naturally true that the longer one has had to do with bows, the more details one can see in them. And the more details one recognises, the nearer one gets to the essence of a bow. At the same time, however, the connoisseur is more careful in his judgement. There are bows which one finds beautiful at first sight, but which lose their fascination the more one contemplates them. Others that one had not particularly liked at first gain sympathy with time. What appeals to people straight away probably has to do with the degree of familiarity of the observed shapes. The slowly arising sympathy comes, however, from the more genuine understanding of the object in question. This is the build-up of a relationship between object and observer.
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